The notion that eyes are the window to the soul has been attributed variously to Shakespeare, Cicero and Leonardo Da Vinci. Some in Ian’s situation might say that fate — even divine intervention — played a part in their coming together, but Ian never would. He is determined to prove that God doesn't exist. Despite a few plot holes, the film works on several levels. Sofi couldn't be more different from Ian. They approach life in distinctly dissimilar ways. Ian is meticulous, problem-solving and drawn to the concrete. Sofi is intuitive and unpredictable, drawn to the intangible and unknowable. Their connection is erotic, emotional and intense.